How to make that yellow *POP*

GaryG64

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I seen and heard a couple of ways to make yellow stay a true yellow, like the yellow on some German aircraft.
I've heard of using base coats such as a pinkish-red, bright white, and even a florescent red.
On the Stuka I used a white. It was OK but it lacked the vibrance I wanted.

I have near future plans for a BF-109 with a yellow "chin"

What advice can you give?
 
There are many different types and shades of yellow.
So what do you mean by a 'true' yellow?

I'm guessing you just mean the intended shade of yellow, and not semi-transparent and shifting toward an unwanted hue?

Primers and base coats are usually to create a more adhesive surface for the paint,
but another reason to use a 'base' coat is because the paint has some transparency
and requires the base coat to block and trap light, and amplify the colour.
A lot of todays paint colours have transparency and need a reflective metallic base coat to help reflect and bounce light back through the paint,
adding depth to the colour, and highlighting the metallic flecks in the paint (if it has metallic).

Spraying paint basically thins the paint and until you build up enough paint, the colour won't build to its full strength.
So you can end up with semi-transparency and dull colour.
A primer or base coat is used not only as an adhesion base, but also sometimes to stop undercolour from showing through.

The WW2 Messer most likely had a thick, opaque, oil based(enamel) paint applied.
Brushed on, or heavily sprayed.
This type of paint would have required no base coat for colour, like slapping on house paint.

If you airbrush an opaque colour to its full strength, you should be able to achieve the strength of colour you desire.
I don't really see a need for base coat if using the right paint.

You could use a thicker (enamel?) opaque paint, and either brush it on for maximum coverage,
or stencil and spray to a heavier opaque coating.
If you are going to airbrush the colour on, you could try a metallic silver/aluminum base coat rather than white*.
White can have the same problems of semi-transparent application (as the colour you are trying to spray),
and the altered white can then tint or dull the yellow.

*if you are spraying a transparent yellow, you generally use a bright white base to give full opaque effect and the proper hue.
But the white base has to be a full opaque bright white paint, and white tends to be heavy and sometimes very grainy,
resulting in a overall thicker application of paint. An undesirable thing at smaller scales.
(The one-step opaque yellow is less paint on the surface!)


YELLOW.jpg
 
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Yellow is a very hard color to airbrush. The key is a white primer base coat. Airbrush in several light coats to get the maximum cover to your liking.
 
There are many different types and shades of yellow.
So what do you mean by a 'true' yellow?

I'm guessing you just mean the intended shade of yellow, and not semi-transparent and shifting toward an unwanted hue?

Primers and base coats are usually to create a more adhesive surface for the paint,
but another reason to use a 'base' coat is because the paint has some transparency
and requires the base coat to block and trap light, and amplify the colour.
A lot of todays paint colours have transparency and need a reflective metallic base coat to help reflect and bounce light back through the paint,
adding depth to the colour, and highlighting the metallic flecks in the paint (if it has metallic).

Spraying paint basically thins the paint and until you build up enough paint, the colour won't build to its full strength.
So you can end up with semi-transparency and dull colour.
A primer or base coat is used not only as an adhesion base, but also sometimes to stop undercolour from showing through.

The WW2 Messer most likely had a thick, opaque, oil based(enamel) paint applied.
Brushed on, or heavily sprayed.
This type of paint would have required no base coat for colour, like slapping on house paint.

If you airbrush an opaque colour to its full strength, you should be able to achieve the strength of colour you desire.
I don't really see a need for base coat if using the right paint.

You could use a thicker (enamel?) opaque paint, and either brush it on for maximum coverage,
or stencil and spray to a heavier opaque coating.
If you are going to airbrush the colour on, you could try a metallic silver/aluminum base coat rather than white*.
White can have the same problems of semi-transparent application (as the colour you are trying to spray),
and the altered white can then tint or dull the yellow.

*if you are spraying a transparent yellow, you generally use a bright white base to give full opaque effect and the proper hue.
But the white base has to be a full opaque bright white paint, and white tends to be heavy and sometimes very grainy,
resulting in a overall thicker application of paint. An undesirable thing at smaller scales.
(The one-step opaque yellow is less paint on the surface!)


View attachment 100514
Thank you so much for all of this information.
 
As stated elsewhere, the width or coverage related to the area around it will also make a difference in how much it pops! Putting it beside any colour that has yellow in it eg. greenish hue, will 'suck' the yellow right out!
Something to consider when selecting your yellows or any colour for that matter.
Any colour shifting to the complementary of yellow, purple, will make it pop more than against a neutral grey.
I will always defer to the experienced modelers, as my knowledge is from a career in UI and graphic design.
 
When spray painting I always use the same paint and gloss coat from the same manufacturer. Although I say this I use Plasti-Kote sprays and dull or gloss coat from them. I've just tried on a piece of clear thin plastic a blue spray but tried another large spray can of gloss from a major hardware store, the Gloss coat has virtually destroyed the blue, stripping it from the plastic sheet!
 
May I suggest taking a look at the new AMMO ATOM paints?
These are very "color dense" acrylics.
AMMO touts ATOM's ability to cover other colors when airbrushing.
I have used these ATOM paints and found them to be very good and simple to use when combined with the ATOM thinners (with or without Retarder).
Check out this video at time marker 7:40 for a demo of AMMO ATOM's color covering ability:


And here are links to more info about AMMO ATOM paint:
https://www.migjimenez.com/img/cms/PDF/acrylic-colors-conversion-chart.pdf
https://www.migjimenez.com/en/619-atom-paints
 

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