Re: MaschinenKrieger Raptor build--FINSHED!!
FINISHED! And in time for tonight's meeting, too.
Hi, all, here's the last installment in my Raptor build. I have off today, so I was able to use the time to finish the pilot's face. He's not going to win any contests, but I'm happy with the result.
You can see the pilot peeking out over the collar of his suit, and get an idea now of the size and scale of the armor.
I finished weathering the other night, deciding it was best to stop and not go overboard and cause more damage than could be fixed by tonight. Weathering consisted of applying chips, using Andrea acrylic slate grey, applied with a toothpick; and of applying oils as filters. I used flesh, Naples yellow and Titian white, and focused on the top-facing surfaces, those surfaces that would be exposed most to light. Also, I hoped that in doing so, some of the natural shadows formed by the shape of the suit, would be emphasized. However, it's almost too subtle an effect, so next time, I can let loose a little more.
My main worry at the end was finished the pilot's face. I had already started and then stripped the face twice. On this third pass, I overlaid the original pale flesh color that I started with, with Tamiya acrylic flesh. It has more of a tan base to it, the kind of color we get in stage lighting with amber gels. Also, I was reminded that Tamiya acrylics brush much more easily when thinned. I applied these by dipping the brush in the pot, and then into a well filled with Tamiya acrylic thinner, on my palette. Even so, the flesh color got thick during application, and so, on close inspection, the pilot has Edward-James-Olmos-face.
After the base colors were applied--face and eyes--I used oils to try to do some shading. I mixed flesh with a tiny
bit of Prussian blue, in an attempt to reproduce five o'clock shadow, tip of the hat to Planet Figure, for that suggestion. Then I used a little of that flesh color to pick out his forehead, the bridge of his nose and his cheekbones, applying the color then blending it, almost like dry-brushing. But I think these effects get washed out in the light I'm using to take the pictures. I may do another photo session. In any case, as I was working on the face, I kept picturing Shep Paine's diagram from the old "Tips on Building Dioramas" brochures from Monogram, and used that as a guideline.
In any case, I'm done! My buddy Scott, who gave me the kit, asked if I'm going to mount the figure on a base. I've been toying with the idea of a vignette of a couple of figures, maybe suiting up for, or returning from, a patrol. So for now, this is how he'll look.
As always, comments and criticisms are welcome, and thanks for looking!
YbiC
Brad