Pick up that brush, repeat

BarleyBop

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Think I'll have learned anything by the time I get through this flash mob?

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Either they are line dancing, or door crashing a Black Friday Sale at the hobby store!

I wasn't kidding about being on an Italian binge!
Okay, I can't possibly use all of them, but the experience I gain will be worth it! I hope!
 
... so, switching threads for a while, the Topo figures thrown back in with their buds, added to the queue, subjected to my crazy notion that oils are the way to go for faces, exposed arms and legs.
Most of them volunteered for the experiment... after a few days, their personalities starting to develop.

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It will be a while before they are ready for the limelight, but I'm trying to apply some of the Bannerman techniques in the resources recommended by @Steve Ski .
Of course my starting point with these is different, but some nice pointers for using oils.
I will probably finish up the uniforms in acrylic, with possibly a few highlights in oil.
Taking my time.
 
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...so easy to get ahead of myself, oil doesn't dry that fast! Can check on Giovanni in a few days for touch ups...

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Ya, Buddy! You'll knock that learning curve in half, if not better. That is the fastest way to perfect your techniques and style. Ruck On, Barley, Ruck On!
 
So I'd named this guy Roberto... then I thought he should have a mole... then I looked up DeNiro... Robert! :eek:

Now my model making is free associating!

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And now I know what he's thinking: "When this stinking war is over, I'm going to America, and I'm gonna drive my own taxi!"
 
A bit of colour correction, boosted my cheaters to max (2.75x).
Tomorrow night I might try evening out the brush marks. If you zoom in, oils look like oils, but also like his skin is flaking!
Part of the learning with oils is not just the colour mixing and blending, but also how they get carried to the surface, how they dry, how they sit on and move from the brush.

I knew this stuff 45 years ago, but I seem to have to relearn it... then again, I wasn't painting tiny figures, it was on 36"x48" (and larger) canvas and masonite boards!

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I am remembering now how much I loved mixing colours. I'd forgotten how much easier it is to mix subtle variations of hue, tint and shade with oils... without the need for extenders, retarders and wet palettes.

And for skin tones, the depth and warmth of oils so different from the flatness and uniformity of acrylic. Of course, I find these properties of acrylic make for a predictable and dependable medium when painting vehicles and uniforms.

Even my basic oil set is proving pretty adequate for what I want to do!

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Tiny amounts of Burnt Umber, Titanuum White, Black, Yellow Ochre, Magenta and Pthalo Blue... and oils stay workable for a few days!

Of course that also means at least a week before they are mostly dry on the figures. Probably longer.

So 7 of my horde now sporting oil, another 21 to experiment with!
 
This set is moving right along, Barley.

You do things a bit differently than I do, but that's going to be normal for all of us, whatever works for us is how it gets done. If I may make an observation, the one thing that sticks out right away is the amount of paint you have on your brush. The brush marks are visible, but that's is an easy fix. I never leach off the oils from my pallet, I use wax paper taped to a card board backing. So, mine will be thinner going onto the brush anyway, but I basically stain the surface, vs actually painting it. You will always want to remove any lint or brush marks as soon as you see them. This will help with the smooth transition between tones and make blending much easier. Like I said, this is an easy fix, you're doing good, Amigo.

And you are correct, Barley, there really is no need for a rainbow of colors, just some basic ones, everything else can be made to order. Keep at it, Ruck On!
 
This one skipped by me.

A Masters Class. I am all in.
They are looking good BB. I can see where this is going. This should come along easily enough with your prior experience.
Steve, thank you for letting us look over your shoulder here.
By leaching, do you let the oil in the paints soak out into the paper and cardboard?
 
My interpretation is that by mixing on wax paper, the oil doesn't leach away, and as Steve says, that means the paint is thinner, not as viscous as mine, (which is why I find it harder to not have brush marks).
For the next batch of dudes I'll try the wax paper, and that should clarify it.
@Steve Ski ?
So, you want the oil?
Okay. I was under the wrong impression.
My bad.
You don't want the oil in dry brushing or dot staining.
 
I am all in
Pull up a brush and join the fun!
And post 'em here, as if we really were in a class together if you want!

This whole thread was just me learning on some unlucky Italians!

I'm also going to try and up my game on uniforms... mostly with acrylic, but possibly some shadow and highlight in oil.
Also looking at some of the challenges @Jakko was talking about with blending tonal values and light and shade.
 
Thank you, I appreciate the opportunity.
But, I don't have anything ready yet. Trimmed up, primed, blah, blah, etc.
A Buddy of mine has gone to Spain a couple times to a seminar/school that I believe it is Andrea figures and paints puts together.
I've always been intrigued by it.
I believe you guys are Steve, yourself, Jakko and others here, that build dioramas.
The whole package, so to speak, is the highest of our art form.
Not to take away from the stand alone or the automotive builds, but the diorama is the penultimate of our craft.
Figures is part of the dealy-o.
 
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